Tomáš Jarkovský
Caslavska - Tokyo - 1964

Japanese translation: Yoko Yamaguchi
Direction: Jakub Vašíček
Set design: Kamil Bělohlávek
Music: Daniel Čámský
Assistent director: Yoshihiko Shibasaki
Dramaturgy: Tomáš Jarkovský, Yoko Yamaguchi
Dramaturgy cooperation: Petra Kosová
Translation cooperation: Nanako Ishida, Robin Heřman
Interpretation: Nanako Ishida
Animation and video production: Alina Sivets, Yoshihiro Shibasaki, Jakub Hora
Movement consultant: Hiromasa Kurihara, Adam Paulus
Production: Yoko Yamaguchi, Jakub Hora, Nobuko Ishida


Cast: Kristýna Franková, Martina J. Hartmannová, Daniel Horečný, Daniel Čámský, Mamika Kawajiry, Haruhi Shoji, Tomoya Arita

Technicians: Vojtěch Kadlec, Hiromasa Kurihara
Sound design: Jonáš Špaček, Takeshi Kawana
Light design: Vlastimil Vorda, Yasushi Ashibe

The production is suitable for children aged 9 and above.

Japanese premiere: August 2, 2024
Czech premiere: September 11, 2024



ABOUT THE PRODUCTION
Our production is not a historical reconstruction, but rather a fictional story with fantastical or fairy-tale motifs that merely stems from certain real events. Besides the birth of (not only) sports legend Věra Čáslavská, who won the hearts of both the Czech and Japanese public in her time, the production also tells another story. Half of the performing puppeteers are Czech and the other half are Japanese. Beyond the story itself, they explore our common and different characteristics and the inspiration we can draw from each other. Along with them, audiences of all ages, from children to adults, can also embark on this journey of discovery. Two sports commentators – one Japanese and one Czech – take us through the Tokyo 1964 Olympic Games, and thus the whole story, just like in a live broadcast. They comment, narrate, and translate everything. This makes the story comprehensible and, at the same time, partly mysterious for both Japanese and Czech audiences. The production combines various forms of puppet, object and shadow theatre and projections.

The production uses photographs from: the sources of the Věra Čáslavská Foundation, A. Novák, A. Bahenský. A. Toth, S. Tereba, J. Plachý, Q, Klemm, J. Endo, K. Kishimoto.

The production uses clips from the sources of Krátký film Praha a.s., Czech Television, Czech Olympic Committee.

The following songs are used in the production: Jindřich Brabec, Petr Rada: Prayer for Martha, Price Alan: House of the Rising Sun (adapted by The Animals)
Music used in the performance is licensed by OSA.

Puppets, decorations, costumes and props were made in the workshops of PUK Theatre by our dear colleagues from Tokyo under the direction of Mrs. Jajuji and in the workshops of ALFA Theatre under the direction of Ivo Motejl Jelinek by Ivana Hájková, Renata Kusová, Vlasta Šantorová, Adam Paulus and Miloslav Šlesinger.

The production was created with the support of the Ministry of Culture of the Czech Republic, National Recovery Plan.

The programme was published in August 2024 by Divadlo ALFA, p.o., Rokycanská 7, 312 00 Plzeň. www.divadloalfa.cz. Ticket orders at obchodni@divadloalfa.cz.
Managing director of the theatre: MgA Jakub Hora.
Founder: the City of Pilsen.
Graphic design: Nanako Ishida, Petr Válek.

PEOPLE AND THE SUMMER OLYMPIC GAMES

VĚRA ČÁSLAVSKÁ, married name: Věra Odložilová (May 3, 1942, Prague – August 30, 2016, Prague). Together with Emil Zátopek, Čáslavská is the greatest legend of the Czech sport, not only for her achievements, but also for her human attitude. During her phenomenal sports career, "Golden Věra" won 140 medals, became gymnastics world champion four times and European champion eleven times. With seven golds and four silvers, she is one of the most prominent figures in the history of the Olympic Games. Shortly after her triumphant return from Mexico, she was - as one of the symbols of the Prague Spring - interrogated by the State Security. Despite pressure, she refused to withdraw her signature from the Two Thousand Words manifesto, and she fell into disfavour and was unable to find work. After November 1989, Čáslavská returned to the limelight again as an advisor and assistant to President Václav Havel or as chairwoman of the Czechoslovak Socialist Party. She was also a member of the International Olympic Committee (1995-2001). For her sporting activities and civic attitudes, the four-time Czechoslovakia's Sportsperson of the Year received a number of honours. She is also a recipient of the National Medal of Merit (1995) and the Japanese Order of the Rising Sun (2010).

TOKYO 1964 OLYMPICS
The Olympic Games were held on the Asian continent for the first time in history. Their greatest heroes were the American swimmer Don Schollander and the gymnast Vera Čáslavská, who became the darling of Japanese spectators. Czechoslovakia came ninth in the country medal count with fourteen valuable metals, the Americans being the most successful. The host country was third with 29 medals and was especially pleased with the performance of gymnast Yukio Endó, a multiple Olympic champion and world champion who won Japan's first Olympic gold in the individual all-around competition in 1964.

ČÁSLAVSKÁ AT THE 1964 TOKYO OLYMPICS
The legend of Czechoslovak gymnastics, Věra Čáslavská, definitely gained worldwide recognition at the Olympic Games in Tokyo. She was twenty-one years old (at that time, gymnasts of that age still had most of their careers ahead of them) and impressed with her perfect performances, charm, and spontaneity. Japan as the host country fell in love with her the previous year, when she visited together with the Czechoslovak national team for the pre-Olympic competitions. At the 1964 Olympics, the bond only grew stronger - and in fact, it never really faded. Even long after her active career was over.

JUKIO ENDO
(Japanese: 遠藤 幸雄, Endō Yukio; January 18, 1937 – March 25, 2009) was a Japanese gymnast, multiple Olympic champion, and world champion. He was part of the first Japanese team to win Olympic gold medals in the team all-around at the 1960 Summer Olympics and 1962 World Championships. In 1964, he won Japan's first Olympic gold medal in the individual all-around. He was the flag bearer of the Japanese team at the 1968 Summer Olympics.

At the 1964 Tokyo Olympics, he became friends with Czech gymnast Věra Čáslavská and their friendship lasted until the end of their lives. Yukio Endo's son attended one of the performances of the co-production of the Alfa Theatre and PUK Theatre in Tokyo and afterwards met the actors and creative team.

LARISA SEMJONOVNA LATININA
(Ukrainian: Лариса Семенівна Латиніна, Russian: Лариса Семёновна Латынина; born December 27, 1934, Kherson) is a former Soviet gymnast. From 1956 to 1964, she won 14 Olympic medals in individual competitions and four medals in team competitions, making her the most successful Olympian of all time.

SONGS

"Prayer for Marta"
"Prayer for Marta" is a song by Czech singer Marta Kubišová from 1968. The song became a symbol of Czech resistance to the occupation during the invasion of Czechoslovakia by Warsaw Pact troops. Because of her civic attitudes, Marta Kubišová was persecuted by the communist regime after 1970 and was not allowed to do any public performances. In 1977, she signed Charter 77, which escalated her persecution by the State Security (StB). During the Velvet Revolution, she sang not only the Czechoslovak national anthem but also "Prayer for Marta" at a demonstration on 21 November 1989 on Prague's Wenceslas Square, which again became one of the symbols - this time of the Velvet Revolution. The lives of Věra Čáslavská and Marta Kubišová are similar in many ways. For both of them, their greatest fame was connected with the hopes of the second half of the 1960s. Both women became absolute stars in their time and in their field, their personality being very different from the contemporary expectations of a successful sportswoman or singer. Both later became symbols of resistance to the Soviet occupation and subsequently had to pay a high price for their bravery in the form of being removed from public life and a number of other persecutions by the regime. They returned to the limelight again with the Velvet Revolution, only to later go into seclusion again for various reasons.

"Prayer for Marta"
Lyrics: Petr Rada, Music: Jindřich Brabec

May peace still remain with this country
Malice, envy, spite, fear and strife
Let those pass, let them finally pass
Now that your lost governance of your affairs
Is returning to you, people, is returning

The cloud is slowly flowing away from the sky
And everyone is reaping what they've sown
My prayer, let it speak
To the hearts which, by the time of wrath
Were not burnt, like flowers by frost, like by frost

May peace still remain with this country
Malice, envy, spite, fear and strife
Let those pass, let them finally pass
Now that your lost governance of your affairs
Is returning to you, people, is returning


SUKIYAKI
One of Japan's most popular songs from the 1960s, created by Kyū Sakamoto. The song's original title is "Ue wo Muite Arukō" (I Look Up as I Walk). The title "Sukiyaki" (Japanese pork dish) has no connection with the lyrics of the song. This title was used solely to make it easier for American listeners to pronounce.

SUKIYAKI
Author: Kjú Sakamoto

Ue o muite arukō
Namida ga koborenai youni
Omoidasu haruno hi
Hitoribocchi no yoru
Ue o muite arukō
Nijinda hoshi o kazoete
Omoidasu natsuno hi
Hitoribocchi no yoru
Shiawase wa kumo no ueni
Shiawase wa sora no ueni
Ue o muite arukō
Namida ga koborenai youni
Nakinagara aruku
Hitoribocchi no yoru
Omoidasu akino hi
Hitoribocchi no yoru
Kanashimi wa hoshino kageni
Kanashimi wa tsukino kageni
Ue o muite arukō
Namida ga koborenai youni
Nakinagara aruku
Hitoribocchi no yoru
Hitoribocchi no yoru

I look up while I walk
So the tears won't fall
Remembering those spring days
But tonight I'm all alone
I look up while I walk
Counting the stars with teary eyes
Remembering those summer days
But tonight I'm all alone
Happiness lies beyond the clouds
Happiness lies above the sky
I look up while I walk
So the tears won't fall
I cry while I walk
For I am alone tonight
Remembering those autumn days
But tonight I'm all alone
Sadness hides in the shadow of the stars
Sadness hides in the shadow of the moon
I look up while I walk
So the tears won't fall
My heart is filled with sorrow
For tonight I am alone
For tonight I am alone

“The Girls Walked Along the Road”
(Czech folk song)

The girls walked along the road, along the road, along the road,
They met two hunters, two hunters they were:
Where are you going, girls, where are you going, where are you going?
Which one of you will be mine, will be mine?

THEATRES

ALFA THEATRE PLZEŇ
Alfa Theatre began its activities as a puppet in 1966 and continues to focus on productions for children and teenagers. One of its dramaturgical lines stems from the roots of Czech folk puppeteers and develops their legacy in the context of contemporary puppet . Another line explores alternative puppet approaches to classic titles and original theatrical productions. In addition to the work for the youngest audiences, the theatre also wishes to attract demanding teenage audiences, often through European projects. Known for its masterful work with puppets, Alfa is a popular guest at many Czech and international festivals. Since 1967, Alfa Theatre has organised the Skupa's Pilsen festival.

PUK THEATRE TOKYO
Puppet Theatre PUK was founded in 1929 in Tokyo and this year marks the 95th anniversary of its founding. In 1971, the company opened the first permanent puppet in Japan, "PUK Puppet Theatre," in the Yoyogi district of Tokyo. PUK premieres several new productions each year, tours throughout Japan, and actively participates in international exchange activities. The PUK Theatre includes the acting ensemble, a production centre and an audiovisual production centre. PUK has performed in Europe several times and maintains close contacts with puppeteers in Japan and overseas. The Japanese UNIMA Centre is located at PUK Theatre.

DEKU ARTFORUM
A Japanese non-profit organization that supports international puppet theatre projects. Its main projects include the Shimokitazawa International Puppet Theatre Festival and focuses on Japanese puppetry abroad, one of which took place at the Skupa’s Pilsen 2022 festival. DEKU ARTFORUM was a key driving force in the creation of the CASLAVSKA - TOKYO - 1964 project.

CREATORS

JAKUB VAŠÍČEK (1979), TOMÁŠ JARKOVSKÝ (1986)
Both studied directing at the Department of Alternative and Puppet Theatre at DAMU under Ivan Rajmont and Jan Borna. During their studies, they staged their own play "Neklan.cz or From the Old Czech Legends" at the Naive Theatre Liberec as a creative tandem. It marked the beginning of their artistic collaboration that has lasted to date. In autumn 2014, they found their home stage at the DRAK Theatre in Hradec Králové. They also regularly perform as guests at the Alfa Theatre in Pilsen, the Minor Theatre in Prague, and D21. They have also collaborated with the South Bohemian Theatre in České Budějovice, the West Bohemian Theatre in Cheb, the F. X. Šalda Theatre in Liberec and the Slovenian Maribor Puppet Theatre. Since the fall of 2014, their home stage has been the Drak in Hradec Králové. Their productions have received numerous awards at various international festivals, including three Erik Awards for the most inspiring puppet production of the season, the Marek Ravenhill Award, and several nominations for the Divadelni noviny Award (with the production The Registered Association of Czech and Slovak Puppeteers presents: Kašpárek and Zbojník winning) and the Theatre Critics Award. They both co-create the face of the Drak Theatre in Hradec Králové: director Jakub Vašíček as artistic director and dramaturge and playwright Tomáš Jarkovský is also the director of the theatre. They have also their own independent theatre Športniki, which they co-founded in 2011 with several other students from DAMU in Prague.

They collaborate continuously with Alfa Theatre in Plzeň. They have written several original plays (e.g., "Go to the Devil!") and directed other titles ("Hamleteen", "Gotcha! Or the First Case of Second Lieutenant Vitásek", "Closely Watched Trains", "Where Is My Home? (A Love Letter to Czechoslovakia)"). Initially, T. Jarkovský and J. Vašíček, together with Alfa's dramaturges, followed the line of adolescent heroes in classic Czech and international plays. Later, they moved on to the provocative centenary of Czechoslovakia and began to focus on specific current social phenomena. At first it was in the case of the production "Where is My Home?" a brief reflection on Czechoslovak history, and then “Everyone Has Their Own Truth (?)”.

KAMIL BĚLOHLÁVEK (1978)
Stage designer, artist and a head of workshops at the Naive Theatre Liberec. He started as an actor, director and musician in the famous DNO Theatre in Hradec Králové, then went on to study stage design at the Prague DAMU (in the studio of Petr Matásek). He regularly collaborates with Drak Theatre in Hradec Králové ("Sleeping Beauty," "Antigone"), Alfa Theatre in Pilsen ("Everyone Has Their Own Truth (?)," "Where Is My Home?"), and the Minor Theatre in Prague ("Hunting the Unicorn," "The Mystery of the Puzzle"), and other statutory and independent theatres.

DANIEL ČÁMSKÝ (1967)
A composer, sailor, conductor, drummer and pianist. He has composed music for a number of theatre productions and regularly collaborates mainly with Drak Theatre in Hradec Králové (“War of the Worlds”, “Seven Ravens”, “Antigone”, “White Fang”, etc.), Alfa Theatre (“Closely Watched Trains”, “Everyone Has Their Own Truth (?)”) and the D21 Theatre in Prague (Emil, or about Hácha, Emissary of Beneš). He has also collaborated with Minor Theatre, A Studio Rubín, La Fabrika in Prague and F. X. Šalda Theatre in Liberec.

YOKO YAMAGUCHI (1984)
Theatre theorist, director of the SIPF Tokyo International Festival, author of research in the field of puppet theatre and translator from and into Japanese. She adapted the original Japanese translation for the production and played a significant role in its creation as a dramaturge and manager.